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Fangland
Marks, John (Author)
ISBN: 159420117X
Penguin Press
Published 2007-01
Hardcover , $25.95 (400p)
Fiction | Occult
Ages
Reviewed 2006-11-06

Publishers Weekly

Former 60 Minutes producer Marks (The Wall) puts his experience on the legendary TV news magazine to good use in this highly inventive reimagining of Bram Stoker'sDracula . His naïve protagonist, Evangeline Harker, a young producer for the TV news showThe Hour , reluctantly accepts an assignment into the wilds of Romania to explore doing a segment on a legendary criminal figure, Ion Torgu. Evangeline soon finds herself at the very outskirts of civilization, and after hearing a missionary's account of a supernatural plague that affected a whole community in Africa, she's accosted by Torgu himself, doing an excellent impersonation of the vampire count. Her subsequent imprisonment in a deserted hotel also parallels Stoker's tale, but Marks manages to make the familiar fresh, so that even devotees of the original will find themselves rapidly turning pages and being drawn into Evangeline's fate and the stories of her friends and colleagues atThe Hour .
Copyright © 1997-2005 Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.


Library Journal

* New York TV producer Evangeline Harker travels to Transylvania to interview reputed Eastern European crime boss Ion Torgu for a segment on The Hour. They meet one evening in the town of Brasov, where Torgu strongly suggests that they will be more comfortable at his own hotel in a desolate area only a short distance away. Although wary of this sinister man, Evangeline reluctantly agrees but that night finds herself locked in her room. Her attempt to escape takes her down an unlit, fetid stairwell, where she encounters Torgu at his most monstrous, chanting words of death and feasting on blood. Meanwhile, back in New York, Evangeline's family and coworkers realize that she has disappeared, no one can locate her, and mysterious coffinlike boxes are being delivered to the television studio. Marks (The Wall) has written an electrifying modern tale of horror that pays homage to Bram Stoker's Dracula. He goes much further, however, creating a hideous vampire more horrifying than anything that ever came from Stoker's imagination. Highly recommended for all fiction and horror collections.[See Prepub Alert, LJ 9/15/06.]-Patricia Altner, BiblioInfo.com, Columbia, MD
 
Baltimore Sun

1/27/07
TV bites: Literally, in former 60 Minutes producer John Marks' imaginative and bloody reworking of Bram Stoker's Dracula, Fangland. In a Stephen King-meets-Anderson Cooper cautionary tale, Marks takes his recently engaged and reluctant-to-leave-New York heroine, TV producer Evangeline Harker, to Romania to investigate and hopefully interview Ion Torgu, a Balkan crime king, for her TV news magazine, The Hour. (Not to be confused with 60 Minutes - much.) Along the way, creepy stuff happens, as it tends to do in Transylvania. Harker meets a young missionary who tells Harker some stories that chill her blood. Then comes the real blood when Harker unexpectedly meets up with Vlad - Torgu - the crime lord, who turns out to be far more of a villain than the reporter envisioned. But just when she discovers who Torgu might be, Harker finds herself trapped in a Hotel California situation. Meanwhile, back in New York, months have passed and Harker is officially MIA - causing great distress among her colleagues. But then - a sudden, seeming reappearance and recovery, and little coffins keep turning up at her office and people start getting sick, much as the missionary had described and ... Why spoil the fun? Marks melds the go-for-the-jugular world of TV news, keen knowledge of the Eastern bloc (the scenes in Romania are to die for) and a much-beloved supernatural tale for a nifty and engaging flourish (albeit more Salem's Lot bleak than Dracula moral tale) that provides a crisp 21st-century take on an old favorite. With teeth.
Bookpage

A novel to sink your teeth into

John Marks' third novel, Fangland, is no ordinary vampire tale. Evangeline Harker embarks on what might be the worst business trip ever. She's a producer for "The Hour," a television news show, and is sent to Romania to investigate a story. She finds Ion Torgu, purported crime boss, but instead of giving her an interview, he takes her to his crumbling and creepy hotel in Transylvania, where she soon learns that he's a vampire. No fangs here, though. Torgu's teeth, though hideously stained, are rounded, not sharp. He relies on two henchmen to murder his victims and pour the blood in a bucket for him to drink.

The vampires in this novel don't merely skulk about looking for blood. They are instead haunted by an eerie chant of place names: Treblinka, Olindo, Kosovo, Mycenae, Nanking—All places where terrible massacres have occurred. It's no accident that the offices of "The Hour" look down over Ground Zero in New York.

Marks tells his story through the e-mails, therapy journals and diary entries of characters. His experience working as a producer at "60 Minutes" makes you feel like he knows just what to satirize at "The Hour." He's not simply retelling Dracula; his vampires are more like guardians of the dead than horror movie villains. But don't think they're not scary. Fangland is a novel that will keep you up late: It's sad and terrifying and darkly funny.
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Buffalo News

12/24/06
John Marks has written the best vampire novel since Anne Rice published "Interview With The Vampire." Full disclosure time: I wrote my senior thesis on how Bram Stoker revolutionized the vampire archetype. I have read more vampire stories than I care to admit - from the "Radu Florescu" and Raymond McNally-penned histories to the cheesy wannabe Rice knockoffs. While there is a glut of bloodsucker tales out there, few are any good. They too easily fall into satire territory, with a titular Count emoting a brooding Christopher Lee intensity or sulking about like an ennui-stricken Lestat. Or the vampire motif just becomes a device used to justify a dressed-up "virginal girl discovers her wild side" romance novel.

But Marks, a former producer with "60 Minutes," has succeeded where everyone else has failed. He went back to Stoker's original novel and has updated it for the 21st century. And he shows that the characters and settings Stoker created are just as haunting today as their were a century ago....

One of the great under-appreciated beauties of Stoker's "Dracula" is the bittersweet ending. While Dracula is vanquished and Mina and Jonathan are reunited, both of them have looked into the eyes of hell, and it's obvious that neither will ever be the same again. If Stoker turned the vampire into a Victorian anti-hero, and Rice recast the vampire as a sensual philosopher, Marks has invented a vampire that is both haunting and haunted. Marks' Torgu is a confessor to the millions of lost souls that still roam the earth - victims of murder, genocide, and war. He is drawn like a magnet to New York City, where 2,000 victims of September 11 are waiting to share their secrets. "Fangland" succeeds because it juxtaposes the primal horror of the vampire into the modern - and seemingly safe - world of television. And Marks skillfully details how Torgu manages to bring a modern newsroom into madness and murder.
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